Showing posts with label Felicity Jones. Show all posts
Showing posts with label Felicity Jones. Show all posts

ROGUE ONE : A STAR WARS STORY - Thursday 15th December 2016.

I saw 'ROGUE ONE : A STAR WARS STORY' on its opening night in Australia, and sat in a near packed theatre, which burst into applause when the end credits rolled - a sure sign of a film's approval and pending success. And so from a galaxy far far away comes the first Star Wars spin off in this highly anticipated, eagerly awaited, much hyped 'Rogue One' offering. Produced by LucasFilm, Distributed by Disney, Directed by Gareth Edwards and costing US$200M, this film stands alone in the Star Wars universe set just before the events that unfolded in the first film in this hugely successful and popular franchise 'A New Hope'. That initial film released in 1977 set in motion a behemoth that would become part of our popular culture, spawning so far seven feature films, this spin-off, numerous animated television series, books, toys and merchandise. The value of the franchise is estimated at somewhere north of US$31B, the films to date have garnered 27 Academy Award nominations and last years 'The Force Awakens' is the third highest grossing film of all time raking in US$2.1B at the global Box Office. Production of 'Star Wars : Episode VIII' is ongoing with Writer/Director Rian Johnson at the helm and due in cinemas in December 2017. It has been reported, but remains unconfirmed, that the title of the next instalment will be 'Star Wars : Forces of Destiny'.

The premise for the 'Rogue One' set up comes from the opening crawl of 'A New Hope' which states amongst other things that ' . . . Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star . . . ' From these brief introductory words, Screenwriters Tony Gilroy and Chris Weitz have moulded this story of the Rebel Alliance against the Empire. As the film opens we see a young Jyn Erso being hurriedly bundled up and packed off by her father Galen Erso (Mads Mikkelsen) to escape from the arriving Imperial Director Orson Krennic (Ben Mendelsohn) and his black armour clad Deathtrooper henchmen. Krennic is demanding that Galen returns to finish the work he started on the Death Star - the Galactic Empire's new super weapon of destruction capable of destroying entire planets. But Galen is reluctant, and in a standoff his wife is killed. Meanwhile young Jyn has fled to the mountains to safety - it is the last time she will see her father for many years. Sometime later, an underground bunker in which Jyn is stowed away is opened by Saw Gerrera (Forest Whitaker) and the young girl is taken away to safety.

We then fast forward fifteen years or so and Bodhi Rook (Riz Ahmed) an Imperial fighter pilot defects across to the Rebel Alliance and is in possession of a holographic message from Galen Erso which he is to deliver only to Saw Gerrera who resides on the planet Jedha. In the meantime a now adult Jyn (Felicity Jones) is freed from captivity by the Rebellion who have an agenda to use her to track down her father, and then kill him to prevent the Death Star from being completed. Jyn teams up with Cassian Andor (Diego Luna) an Intelligence Officer with the Rebel Alliance and his reprogrammed Imperial droid K-2S0 (Alan Tudyk) and the three travel to Jedha where there is an uprising against Empire forces on the ground there.

Once on Jedha, Jyn and Andor meet up with blind warrior Chirrut Imre (Donnie Yen) who believes in the power of The Force, and his sidekick Baze Malbus (Jiang Wen) a Rebel warrior and mercenary. They in turn lead Jyn to Gerrera who are reunited for the first time in years, and Gerrera is by now holding Rook captive. Rook has handed over the hologram message to Gerrera who in turns shows the message to Jyn. In it Galen expresses his love for his daughter and explains that he was forced against his will to finish his work on the Death Star project. He goes on to explain that he has secretly embedded a vulnerability deep within the reactor programme which is almost undetectable, and which can be used to ultimately destroy the Death Star. The plans are held at a high security data bank deep within an Imperial stronghold on the planet Scarif.

In the meantime, back on the Death Star Krennic is held to task over the completion and readiness of the weapon by Imperial Governor Grand Moff Tarkin (Guy Henry made to look like Peter Cushing). With complete confidence Krennic orders a demonstration of the weapons might and power by targeting the capital city of Jedha, and reducing it and its surrounds to rubble and dust. In the attack the population is wiped out and with it Gerrera too who elects to stay behind. Jyn, Andor, K-2S0, Imre, Malbus and Rook manage to narrowly escape the conflagration. Tarkin congratulations Krennic on his achievements but has his own agenda to take the credit for the weapon and have Krennic discredited for various security breaches that have occurred while under his command.

Jyn, Andor and their newly formed crew track Galen to a research facility, and they head there with the intention that Jyn will rescue her father, whilst Andor has designs on killing him as per the wishes of the Rebellion. When it comes to it however, Andor cannot pull the trigger. At the same time Krennic arrives having learned that someone has leaked intelligence to the Rebels, and he intends to see to it that justice be served. He lines up Galen and his team of engineers and scientists and threatens to kill them all, if the perpetrator does not fess up, at which point Galen steps forward. Krennic orders the shooting of all the engineers and scientists anyway at which point a Rebel airstrike occurs on the facility ultimately resulting in the demise of Galen, and he dies in Jyn's arms. With the research facility destroyed, Jyn, Andor and the crew make a speedy getaway as does Krennic. Jyn now tries to persuade the Rebellion to converge on Scarif to steal the plans for the Death Star, but with no evidence to confirm her fathers story as per the now destroyed hologram message, the leadership of the Rebellion do not agree to her scheme, which they believe is too dangerous.

Frustrated by this inactivity, Andor agrees to accompany Jyn on her mission to Scarif and with her crew and various other Rebel volunteers, they set off. Using Rook as the former Imperial fighter pilot whose security clearances are still intact, their ship passes through the only portal in Scarif's defence system, and come to land in the proximity of the data bank tower. Jyn, Andor and K-2S0 make off to the tower to retrieve the plan schematics, while the others create a diversion to draw attention away from the three.

Meanwhile the non-agreeable leadership of the Rebellion have caught wind that Jyn and Andor have taken a team to Scarif and are proceeding with their plan anyway. Subsequently they agree to join the fight and mount a fleet to go to their aid. Krennic has also arrived on Scarif and orders the retrieval of every last piece of communication ever sent, written or recorded by Galen in an attempt to clear his name and reinstate his reputation with Darth Vader (voiced by James Earl Jones). As a number of Rebel forces breach the access portal to Scarif, so a ground and air attack ensues leaving Jyn and Andor to access the data bank high up within the fortified and heavily secured tower.

Ultimately Jyn secures the necessary schematics but K-2SO is killed by Stormtroopers and Andor is shot and injured by Krennic. She needs to access the communication tower at the highest point to be able to send the schematics to the waiting Rebel Command Ship, but the access portal needs to be open for the signal to transmit the plans successfully. With an air battle raging all around the tower, Krennic appears before Jyn can transmit the plans. Krennic declares her mission a failure and the Empire victorious and as he motions to shoot her, he is in fact shot and disabled by Andor who re-emerges just in time for the plans to be transmitted as the Rebel forces destroy the planetary shield allowing access through the portal.

On the Death Star Tarkin orders the destruction of Scarif now that its defences have been breached and the base compromised. With it Krennic is killed as are all of those left remaining. An Imperial Force led by Darth Vader gain access to the Rebel Command Ship to retrieve the stolen plans. As Darth Vader wipes out everything in his path using his trusty light sabre and the powers of his mind, a Rebel foot soldier makes a quick getaway with the plans saved to a memory card and thrusts them into the hands of Princess Leia (Ingvild Deila made to look like Carrie Fisher) who states that these plans will give the Rebellion much needed hope for the future.

I was very pleasantly surprised by 'Rogue One'. The film has all the touchstones of the 'Star Wars' mythology that we have come to know and love. Director Gareth Edwards has remained true to the basic premise of the films that have been its forebearers by retaining the look and feel of a Star Wars film but it also has the strength in the story, the performances, the VFX and the continuity to stand proudly on its own two feet. Felicity Jones is particularly good in her role as Jyn Erso and gives a convincing performance that is as good as any you'll likely to see this year in a film of this kind, and the support cast are strong too and believable. Since the film Premiered in Hollywood on 10th December, there has been overwhelming support for the film and audiences have responded very positively, setting high expectations for a very strong Box Office return. So far it has returned US$291M during its opening weekend globally, with the film yet to open in China in South Korea. A second spin off film charting the early life of Hans Solo is slated for a mid-2018 release, with a third understood to surround Boba Fett scheduled for sometime in 2020. See it on the big screen while you can - you won't be disappointed.

-Steve, at Odeon Online-

What's new in Odeon's this week : Thursday 15th December 2016.

Awards Season is upon us, and with it the AACTA (Australian Academy of Cinema and Television Arts) Awards were held at Sydney's Star Casino on Wednesday 7th December. Attended by a who's who of Australian and overseas film and television talent including Mel Gibson, George Miller, Geoffrey Rush, Isla Fisher and Sacha Baron Cohen it is fair to say that the glitterati, the glamourati, and the paparazzi were out in force.

'Hacksaw Ridge' swept the board picking up nine award wins in the following categories : Best Film, Best Direction (Mel Gibson), Best Original Screenplay, Best Cinematography (Simon Duggan), Best Editing (John Gilbert), Best Sound, Best Production Design (Barry Robison), Best Lead Actor (Andrew Garfield) and Best Supporting Actor (Hugo Weaving). 'The Daughter' fared well too, picking up three award wins for Best Lead Actress (Odessa Young), Best Supporting Actress (Miranda Otto) and Best Adapted Screenplay. 'Tanna' picked up the award for Best Original Music Score, and 'Girl Asleep' for Best Costume Design. Best Feature Length Documentary went to 'Chasing Asylum' (Eva Orner).

This week then there is just one new release coming to a cinema near you, and it's expected to be BIG! Which would explain why no other movies wanted to go up against it in the week ahead. This is the first of three spin-off stand-alone films from a place far far away whose journey first began almost forty years ago and has grown into a worldwide phenomenon that sees no signs of letting up. From early reaction to this films Premier release last week, it seems that the force is strong with this one!

When you have sat through this weeks latest release film as Previewed below, or any others out on general release and as Reviewed and Previewed between these Blog Post pages, remember that we invite your own feedback, review, critique and observations of your moving going experience by leaving a Comment below this, or any other Post. As always, we'd love to receive your valid, wholesome, relevant thoughts. Meanwhile, enjoy your next cinema visit.

'ROGUE ONE : A STAR WARS STORY' (Rated M) - and so from a galaxy far far away comes the first Star Wars spin off in this highly anticipated, eagerly awaited, much hyped 'Rogue One' offering. Produced by LucasFilm, Distributed by Disney, Directed by Gareth Edwards and costing US$200M, this film stands alone in the Star Wars universe set just before the events that unfolded in the first film in this hugely successful and popular franchise 'A New Hope'. That initial film released in 1977 set in motion a behemoth that would become part of our popular culture, spawning so far seven feature films, this spin-off, numerous animated television series, books, toys and merchandise. The value of the franchise is estimated at somewhere north of US$31B, the films to date have garnered 27 Academy Award nominations and last years 'The Force Awakens' is the third highest grossing film of all time raking in US$2.1B at the global Box Office. Production of 'Star Wars : Episode VIII' is ongoing with Writer/Director Rian Johnson at the helm and due in cinemas in December 2017. It has been reported, but remains unconfirmed, that the title of the next instalment will be 'Star Wars : Forces of Destiny'.

The premise for the 'Rogue One' set up comes from the opening crawl of 'A New Hope' which states amongst other things that ' . . . Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star . . . ' From these brief introductory words, Screenwriters Tony Gilroy and Chris Weitz have moulded this story of the Rebel Alliance who recruit Jyn Erso (Felicity Jones) to join a mission to steal the design schemes for the Galactic Empire's new superweapon, 'The Death Star' - the Empire's ultimate weapon of destruction. The band of unlikely heroes thrown together for this include Forest Whittaker as Saw Gerrera, a veteran of The Clone Wars; Diego Luna as Cassian Andor; Mads Mikkelsen as Galen Erso, father to Jyn; Riz Ahmed as Bodhi Rook; Donnie Yen as warrior Chirrut Imre; Alan Tudyk as droid K-2SO; Jiang Wen as freelance assassin Baze Malbus; and Ben Mendelsohn as Orson Krennic the Director of Advanced Weapons Research for the Imperial Military; with James Earl Jones reprising his voice work for Darth Vader. Since the film Premiered in Hollywood on 10th December, there has been overwhelming support for the film and audiences have responded very positively, setting high expectations for a very strong Box Office return. A second spin off film charting the early life of Hans Solo is slated for a mid-2018 release, with a third understood to surround Boba Fett scheduled for sometime in 2020.

That's it for this week, pending a mega-haul of new movies being released in time to capitalise upon the Christmas and New Year holiday film going season. If you catch 'Rogue One : A Star Wars Story' remember to share your thoughts with us here afterwards. In the meantime, I'll see you in the week ahead, at the Odeon.

-Steve, at Odeon Online-

INFERNO : Tuesday 18th October 2016

'INFERNO' which I saw this week was written by Dan Brown, and he has so far had two other Robert Langdon adaptations committed to the big screen - 'The Da Vinci Code' in 2006 which made US$758M from its US$125M budget outlay, and 'Angels and Demons' in 2009 which returned US$486M from its US$150M budget. 'Inferno' is the third movie outing for Harvard Professor of Symbology, Robert Langdon and the fourth book of the series. 'The Lost Symbol' - the third book in the series was skipped over as it was thought by those all knowing Studio Exec's that 'Inferno' would make a more compelling transition to the cinema screen. The Langdon character is reprised once again by Tom Hanks and with Director Ron Howard at the helm. David Koepp wrote the screenplay. The film was made for US$75M and has so far made US$50M ahead of its US release date on 28th October.

The film opens up with a lone man being chased on foot by three assailants. He disappears up a bell tower and upon reaching the top with no where to turn he steps out on to the ledge overlooking the cobbled streets below of Florence. The three men chasing after him emerge, the man is caught, he turns inwards to face the men, some words are exchanged, and the man leans back and plummets to his death onto the street below. We then cut to a hospital bed where a semi-conscious Robert Langdon (Tom Hanks) is hooked up to a drip, heart monitors and his head bandaged. He is having visions of Hell, the plague, ravaged bodies, violence and death and rivers of blood but all in a modern day setting. He comes around and is greeted by Dr. Sienna Brooks (Felicity Jones) who advises him that he was admitted muttering the words 'very sorry' over and over again and with a bullet wound to the head that is likely to have caused temporary amnesia. Langdon has no recollection of the events that caused him to end up in the hospital bed, and in Florence of all places which he recognises instantly from his bedroom window.

Whilst Langdon is still in pain from his head wound and experiencing ongoing visions which he is seemingly caught in the middle of, Vayentha (Ana Ularu) an assassin, arrives at the hospital in police uniform and makes for the room where Langdon is in recovery. A hospital orderly is gunned down, and in the melee Brooks acts upon her survival instincts and gets herself and Langdon out of the hospital just in time to evade the rapid gunfire at the hand of the disguised assassin. The pair flee to Brooks' apartment where Langdon sleeps. When he wakes he freshens up but still has little memory of the events that brought him to Florence. Rummaging through his old bloodied clothes he comes across an object that he has never seen before, that requires his thumb print to open the stainless steel tube. Reluctantly the pair agree to open it revealing a 'Faraday Pointer' - a miniature projector - which reveals an image of Botticelli's late 15th Century Map of Hell which is based on Dante's 14th Century epic dark masterpiece 'Inferno'. But within the map on closer inspection are certain adjustments, hidden letters and a clue pointing to Betrand Zorbrist (Ben Foster) - the man who fell to his death at the beginning of the film.

Zorbrist it turns out was a billionaire geneticist who believed that the world is overpopulated and that rigorous measures are necessary to reduce the ever increasing population, which he sees as a modern plague. Through his seminars he has captured the interest of a group of followers around the world, and Langdon deduces that Zorbrist had created a virus capable of reducing the global populace by more than 50% - sustainable levels for a fresh start! By now the pair have been traced by the local authorities and the assassin once again, but again Langdon and Brooks manage to evade capture on foot. With Langdon's intimate knowledge of Dante, and of Florence the two embark on a cat and mouse game across the city's secret passageways, hidden vaults and network of tunnels and chambers all the while unlocking other clues as the clock counts down to the release of the virus in some hidden and secure place.

The pair are pursued at every turn by both Christoph Bouchard (Omar Sy) who claims to be working for the World Health Organisation, and Elizabeth Sinskey (Sidse Babett Knudsen) who heads up the WHO and is well known to Langdon. All the while Langdon's memory is coming back to him in flashback. In the meantime, Harry Sims (Irrfan Khan) heads up 'The Consortium' - a very special and secretive interest group who conduct dirty deeds for vast sums of money for the worlds wealthiest clients, no questions asked and confidentiality guaranteed. Sims is in possession of a video recorded by Zorbrist to be played only after the virus has been released, but since his client is dead, Sims plays the video recording, revealing the magnitude of what his client was planning. Sims approaches Sinskey with the knowledge of Zorbrist's final message, and the pair agree to work together to track down Langdon who is the only one capable of uncovering the puzzle and locating the virus stash before it is released. Bouchard however, gets to Langdon and Brooks first and wins them over with tall tales of Sinskey and how she has her own agenda for the virus.

Sims, using his own very particular set of skills tracks down Langdon who has now been captured by Bouchard, and Brooks has made off, but not before Brooks has revealed to Langdon that she was in fact Zorbrist's lover and his accomplice in the plan to release the virus, but the whereabouts of it were not known even to her. She needed him to reveal the location by following the clues and using his expert knowledge, and has since made off, evading capture by Bouchard, so ensuring the virus will be released as planned. In a run down building Sims quickly dispenses with Bouchard freeing Langdon to continue the chase for the virus. After an explanation of how Sims fits into the equation, Langdon reveals that the virus is in fact in Istanbul in the Hagia Sophia, and so the pair make off with  Sinskey in a private jet. We further learn that Langdon and Sinskey have romantic history and that she in fact asked Langdon with help in deciphering the meanings hidden in the Faraday Pointer. Langdon was kidnapped by The Consortium and given a memory loss drug and the whole hospital episode was a ruse, aimed at keeping Langdon off the scent.

The virus is hanging in a plastic bag dangling in the waters of the 6th Century Basilica Cistern close by to the Hagia Sophia. With a once a year music festival taking place within the Cistern and the gathered orchestra in place and well dressed on lookers filling the Basilica, the WHO Team, Sims, Sinskey and Langdon head down to search out the virus bag. So too do Brooks and two other enlisted foot soldiers intent on detonating two bombs in close proximity to the bag that when ruptured with aerosolize the virus. Needless to say its get pretty hairy in the closing minutes as bodies flay about in the shallow waters of the ancient Cistern and the virus is contained. It doesn't end well for the antagonists or Sims, leaving Langdon and Sinskey to return to the respective lives wondering what might have been if they had their time over again, and leaving the world's population in tact at almost eight billion and counting!

For me, after the novelty of seeing Robert Langdon in 'The Da Vinci Code' and then 'Angels and Demons' which were far better introductory films to the world of symbols, imagery, and iconology, I went in to the theatre with higher expectations and came out underwhelmed! In 'Inferno' we have a pedestrian, predictable, popcorn offering that sees the same old same old regurgitated again for the sake of some historic ancient landmarks whilst making light work of Langdon's particular set of skills to thwart a dead mans evil plot. There are too a number of liberties with the story as written by Dan Brown in his book, which I guess is Hollywood's poetic license at work here, but those that have read his page turning unputdownable novels as I have, are likely to pick up on this too. The story here takes a while to get into gear and then when it does it takes its foot off the peddle and meanders along in a by the numbers offering that make this the least engaging of the three films so far. Disappointing, particularly for another Hanks/Howard collaboration, but maybe for half the budget of its predecessors therein lies your answer? Wait for the DVD or BluRay to watch in the comfort of your own home and save yourself the price of a ticket.

-Steve, at Odeon Online-

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