“Phantasm: Remastered”: *** 1/2 out of 5
Video: **** 1/2
Audio: **** 1/2
Extras: *** 1/2
“Phantasm: Ravager”: **
Video: ****
Audio: ****
Extras: ***
Article first published on Blogcritics.org
If there’s one genre where the law of diminishing returns is most  evident, it’s horror. After a horror film becomes a success, it’s rarely  followed up with worthy sequels. Horror fans may love their favorite  franchises, but you have to admit there are some sequels that should  never have happened. In the case of Don Coscarelli’s Phantasm series, it’s an even rarer case of the original director clinging to each sequel for better and worse.
 Coscarelli is the very definition of cult following. I never watched the Phantasm movies growing up — the original came out the year before I was even  born — but I was always attracted to the idea of Coscarelli’s deadly  flying orbs, and Angus Scrimm’s iconic Tall Man is something every  horror fan recognizes.
I may have shown up late to the party in discovering Coscarelli’s  genre-bending shenanigans, but with Well Go USA releasing both Phantasm: Remastered and the newest entry, Phantasm: Ravager,  together, I can’t say it was worth the wait. The original at least  holds up as an example of low-budget filmmaking done right, but  Coscarelli has handed the reigns of Ravager to first time live-action director David Hartman and the results are disastrous. Ravager is meant as a fond farewell, and a farewell is clearly all that’s left for the films if this is the best they can do.
The original Phantasm introduces us to the series’ teenage  hero, Mike (A. Michael Baldwin). He’s been creeping around Morningside  cemetery after his older brother Jody’s (Bill Thornbury) friend has been  killed. Soon enough, Mike and Jody, and Mike’s guitar-wielding ice  cream man best friend Reggie (Reggie Bannister), are fighting for their  lives to discover the Tall Man’s evil plot involving resurrected bodies  and evil dwarfs.
 In Ravager, we catch up with Reggie (still played by  Bannister) as he suffers from delusions that he can’t quite figure out  whether they’re real or not. He keeps flashing back and forth between a  ravaged universe overrun by the Tall Man and his spheres and the  sanctity of being locked up in a mental hospital where he’s continually  visited by Mike (Baldwin again), who finally let’s Reggie in on a secret  as Reggie’s two existences collide into one with the sake of humanity  at stake.
Well Go USA delivers both Remastered and Ravager on 25GB discs and they both look pretty exceptional. The ironic part of this being that Remastered has been given a full 4K restoration courtesy of J.J. Abrams’ Bad  Robots facilities. Abrams is a huge fan of Coscarelli’s films and gave  him full access to their equipment after seeing a partial 4K print at  the annual Butt-Numb-A-Thon in Austin. Both come in frame-filling 1.78:1  aspect ratios.
Remastered shows just how good a low-budget horror film can  look with the right amount of care. Colors are completely natural with  bloods having the appropriate bright red they deserve. Blacks are nice  and inky with crush never an issue and shadow detail probably better  than it’s ever been. Grain is always present with noise never seeping  into the nighttime sequences. Detail is always spot on.
As for Ravager, it was clearly filmed digitally and shows in  every scene. It’s a startling difference when jumping from one cinematic  format to the other. Remastered looks fully organic and theatrical while Ravager never looks more than being filmed for home video. Detail is extra  clear, but when it comes to colors, there are lots of sequences full of  banding and bleeding reds that make the film look downright garish.  Noise is evident in a few sequences, with crush never overwhelming  thanks to the oversaturated reds. Ravager was made for home video and it looks it every second.
Both films come equipped with 5.1 DTS-HD Master Audio tracks and  sound every bit as good as they look. Dialogue is always clean and  prioritized with surrounds and directionality helping lend some extra  creepiness as the Tall Man’s spheres whiz about the soundstage. Bass  comes in handy in a few sequences while the sound effects and music  never engulf the cheesy dialogue. Both feature the same additional audio  tracks and only contain English subtitles: 2.0 Stereo or Mono.
 Remastered and Ravager contain nearly identical special features. Remastered kicks things off with a “Graveyard Carz Episode” (11:24) as host Mark Worman gets pumped up to meet two of his  horror idols (Coscarelli and Baldwin) to unveil his work on rebuilding  the series’ Barracuda car. “Interviews from 1979 with Don Coscarelli and  Angus Scrimm” (27:58) include two clips from an old TV show where they  discuss the film’s inspirations, budget, costumes, and sets. The most  fun part watching Scrimm explain the film’s synopsis in character as his  beloved Tall Man.
 “Deleted Scenes” include: “Bank Scene” (1:14), “Casket Room” (1:45),  “Ice Cream Scene” (4:28), “Jody Visits Mike” (0:59), “Tall Man Fire  Extinguisher” (1:39), and “Tall Man Smile” (0:17). None of them really  add much to the film, if anything it just shows how much more odd it  could have been. Two trailers are included: “1979 Phantasm Trailer” (2:13) and “Remastered Trailer” (1:56). An “Audio Commentary” features Coscarelli, Baldwin,  Scrimm, and Thornbury together, waxing nostalgic on the production.
Ravager contains “Behind the Scenes” (5:24) which shows how  excited Coscarelli was to resurrect the series, with some fun clips of  him and Scrimm revisiting locations used in the original film. It’s  great to see Scrimm going back to where it all started, especially since  he passed last January — yes, another unfortunate 2016 celebrity death  to add to the list. Three “Deleted Scenes” include rough cuts of the  following: “Giant Dwarf” (3:47), “Escape From Dawn’s Cabin” (2:24), and  “Cuda vs. Sphere” (1:42). Again, none of them add anything to the final  cut, but it was fun to learn that Derek Mears (Jason Vorhees from the  2009 reboot) was the “Giant.”
 “Phuntasm: Bloopers & Outtakes” (8:40) is an excruciatingly long  exercise in tedium. Most blooper reels are never funny, now imagine that  for nearly 10 minutes. The “Trailer” (1:46) and an audio commentary  with Ravager director Hartman and Coscarelli (who served as co-writer/producer) rounds things out. Remastered and Ravager both contain preloaded trailers for additional Well Go USA titles: Train to Busan, The Wailing (both exceptional horror features), Kill Zombie! (this one being a head scratcher as it was released on Blu-ray two and a half years ago).
 Whether I was late to the party, or simply missed the boat, Coscarelli’s Phantasm series is simply just not for me. It does have its share of fans — most evident in that Scream Factory released Phantasm II all the way back in March 2013 — but there’s not much here to entice  horror fans who have yet to discover the films. It’s never as outrageous  as Coscarelli thinks it is, and the humor is far too wacky and weird,  clashing with the deadly serious antics of the Tall Man and his killer  orbs and dwarfs.
While the original film works way better than the  thankfully final chapter, at least Coscarelli fans have a definitive  presentation they can fall back on when trying to convince friends they  need to check out this “far out” horror film. Featuring great video and  audio, but saddled with throwaway special features — it would have been  cool to have Abrams brought in to discuss the film, possibly shedding  some light on his adoration — both Phantasm: Remastered and Phantasm: Ravager are Blu-rays that fans will be very happy to finally have in their collections.


